The diversity of Netflix’s portfolio and its pace of new content give the streaming video service “an advantage over its peers" and traditional broadcast, Piper Sandler's Yung Kim wrote investors Tuesday. The streaming video leader has a “solid grip” on a category with “massive multi-year growth potential” as more content shifts online, said Kim: Despite increasing competition and unforeseen hurdles, the market will support multiple large players behind Netflix. Its viewing share among teens inched up a point to 34% in fall vs. spring despite competition from new services, the analyst said. YouTube’s share moved up to 32% from 31%, as newcomers Disney+ and Apple TV+ slipped to 6% and 1%. Cable's viewing share declined to 9% from 11%.
Sonos customers who buy the Arc ($799) or Beam ($399) subwoofer, or a qualifying speaker set from sonos.com, can get six months free of the Disney+ streaming service, said the multiroom audio company. The subscription then goes to $6.99 monthly. The offer runs through Oct. 31; use codes by Dec. 1, Sonos said.
Amazon raised the bar for music streaming Friday, announcing a partnership with Universal Music Group and Warner Music Group to remaster “thousands” of songs and albums in 24-bit with sampling rates from 44.1kHz to 192kHz, what Amazon calls Ultra HD. Amazon cited songs from artists including the Eagles, Marvin Gaye, Lady Gaga, The Notorious B.I.G., Ariana Grande and Selena Gomez as among those that have been remastered “to the highest quality streaming audio.” They are available exclusively on Amazon Music HD, Amazon said, and all titles resulting from the partnership will be delivered in 24-bit and 96 kHz or 192 kHz. Amazon Music HD subscriptions are $12.99 monthly for Prime members, $14.99 non-Prime. David Solomon, chief high-res music evangelist at streaming service Qobuz, messaged us that he was told by Warner Music that none of the material being remastered in 24-bit is exclusive to Amazon. Qobuz doesn’t support Dolby Atmos Music or Sony’s 360 Reality Audio, “so that wouldn’t have any bearing on what we’re doing now,” Solomon said. He called the Amazon news “a bit misleading at best.” Warner and Universal couldn’t be reached for comment. Amazon didn't respond. The partnership builds on a promise to deliver the best possible recordings available for streaming "by upgrading existing recordings to make the listening experience even better, and preserving artistic legacy for future generations,” said Amazon Music Vice President Steve Boom in a statement. The partnership delivers “key recordings” from Universal and Warner catalogs, “exclusively for Amazon Music customers.” Amazon plans to work with other labels to upgrade the digital quality of more audio recordings and “provide customers with all of the emotion, power, clarity, and nuance of original recordings across all genres,” said Boom.
Peacock will debut two original shows Monday on its news channel The Choice, featuring MSNBC contributors Mehdi Hasan and Zerlina Maxwell, said the streaming service Friday. “We will continue to expand news content on Peacock with a focus on aggregating varied perspectives and diverse voices," said Jen Brown, senior vice president-topical programming and development. "News is a key differentiator for Peacock."
A “liquidity crisis” that’s “all but inevitable” amid the COVID-19 pandemic spurred S&P Global to downgrade AMC Entertainment to CCC- from CCC+. The world's biggest movie theater chain “continues to struggle operationally and financially because U.S. attendance remains weak after reopening, additional major theatrical releases are delayed, and its cash burn might accelerate now that its theaters are open,” S&P said Friday. S&P expects AMC to run out of cash within six months “unless it is able to raise additional capital, which we view as unlikely, or attendance levels materially improve,” it said. Even with the additional liquidity from AMC's recent debt restructuring, S&P doubts the company will have enough cash on hand to cover its “fixed charges” by early April, it said. “Now that the majority of its theaters are open and box office receipts remain weak, we expect the company's cash burn will remain elevated and could accelerate further over the remainder of 2020 unless there is a significant improvement in attendance levels relative to the September box office.” Operating conditions for AMC remain “highly uncertain from the impact of COVID-19,” said S&P. The chain began reopening most theaters with low seating capacities in April, but New York and Los Angeles locations remain closed, S&P said: Even if those remaining theaters were to reopen, the lack of major film releases “will likely result in low theater attendance for some time.” AMC didn’t respond to questions. AMC reopened more than 100 U.S. locations under its “Safe & Clean” COVID-19 protocols in mid-August, floating an admission price of 15 cents for the day to lure customers back to the movies. But S&P said it was to little avail because Americans don't trust returning to theatergoing. The pandemic will continue to harm "theater attendance and consumer behavior into 2021," said S&P. "We anticipate that global cinema attendance will recover much more slowly in the fourth quarter of 2020 than we had previously expected and now expect the impact of COVID-19 on theater attendance to last well into 2021." The negative outlook "indicates our view that AMC could face a liquidity shortfall over the next six months," said S&P.
Disney’s thrice-postponed theatrical release, Mulan, will debut Tuesday on Vudu, said the streaming service Thursday. The live-action remake is streaming on Disney+ through Nov. 2 at $29.99, the same price on preorder at Vudu and FandangoNOW in SD, HD or 4K. Customers who preorder Mulan on Vudu will get a $3 credit toward other movies and TV shows on the platform when the film is released, expected Tuesday. At Disney+, subscribers will have access to the title on Dec. 4 at no additional cost (see 2009040049).
Suggestions of intense industry streaming wars are a possible “fallacy,” LightShed Partners blogged (login required) Wednesday, noting Netflix, YouTube and Amazon Prime Video combined for 64% of streaming hours in July. Citing Comscore data, LightShed said some 84% of viewing is spread among the top five apps, with Hulu (14%) and Disney+ (5%) added to the mix. Wednesday's launch of Google TV (see 2009300062) and the addition of a dedicated button on the Chromecast remote marked YouTube’s transformation from a casting device “to a full streaming device” akin to Roku and Fire TV, analysts said: It’s “hard to imagine how any advertiser who wants to be on connected TV is not thinking about YouTube first and foremost,” given its size. Disney+ has had “explosive” subscription growth in its first year, to more than 30 million in the U.S. and over 60 million globally, but has just 5% of streaming time spent, showing “how hard it is for a new entrant to build daily engagement.” HBO Max, Peacock and Paramount+ “waited far too long to compete,” they said, noting Netflix’s 13-year head start. Netflix’s 193 million global subscribers was a 27% year-on-year increase, averaging $10.80 per month; analysts expect it to raise pricing next year. HBO Max finished last quarter with only 15% of subscribers activating the service vs. continuing to use legacy HBO, LightShed said. The average revenue per Disney+ user is $4.62, while Hulu ARPU was down 10% year over year, they said.
Velodyne Lidar began trading on Nasdaq Wednesday under VLDR after closing a reverse transaction with blank check company Graf Industrial Tuesday. (see 2007020036). Shares dropped 24% Wednesday to $18.69. Graf had been trading on the New York Stock Exchange; the decision to list on Nasdaq was made “to be listed alongside the other innovative technology companies,” it said. Velodyne is delivering lidar for markets including smart city with smart intersections, security, mobile 3D mapping, industrial and factory robotics, smart agriculture, sidewalk delivery and drones, it said Wednesday, citing “growing demand” in the emerging markets. The company’s Automated with Velodyne program supports an integrator ecosystem to commercialize next-generation autonomous solutions. A Sept. 22 SEC filing listed as risk factors the pandemic, rapidly evolving markets and Velodyne's transition to an outsourced manufacturing business model. It sees lidar as the “industry standard for autonomous vehicles and other emerging markets, [but] market adoption of lidar is uncertain,” it noted. Management includes CEO Anand Gopalan, Chief Financial Officer Drew Hamer, Chief Technology Officer Matt Rekow and Chief Marketing Officer Marta Hall.
Hisense backs Filmmaker Mode, UHD Alliance President Mike Fidler told his group's webinar Wednesday. Filmmaker Mode is the ease-of-access TV picture setting free of the image processing that creators disdain for rendering their content in the living room as if shot on high-speed video (see 1908280022). It bowed in summer 2019 with LG, Panasonic and Vizio TV-brand support. Kaleidescape, Samsung and TP Vision supported it at CES. The top five TV brands have 79% of North American unit share, and four of the brands support Filmmaker Mode, said Fidler, citing Omdia. TCL is a UHDA member, not a Filmmaker backer.
Legacy media companies are telling consumers "there is no reason to subscribe to multichannel” TV, LightShed Partners wrote investors Tuesday. Legacy media are shifting their most ambitious non-sports content to their own streaming platforms, away from linear TV, said Richard Greenfield, and COVID-19 led to “a whole new level of pain for the legacy TV ecosystem.” With little fresh content on TV, consumer adoption of streaming video “hit warp speed.” Once behavior shifts, it’s hard to shift it back, “especially when the ‘experience’ of streaming TV is so far superior to linear live TV," the analyst said.